Designed to complement rather than illustrate the sparse poetic conceptualism of Felix Gonzalez-Torres' work, this catalog features both small reproductions of his sculptural pieces and full-page reproductions of his series of graph paper drawings, Untitled (21 Days of Bloodwork - Steady Decline). An all-star cast of critics, artists and writers–including Amada Cruz, Russel Ferguson and bell hooks–discuss the artist's evocation of memory, pleasure and desire towards the greater sociological import of his work. Ann Goldstein brings to light the potency of the work's autobiographical content, and Joseph Kosuth explores the relationship of Gonzalez-Torres to Minimalism. Published in conjunction with the Hirshhorn Museum and Sculpture Garden and the Museum of Contemporary Art, Los Angeles. Hirshhorn Museum and Sculpture Garden, 1994 8 x 10 inches, 79 pp., black and white illustrations Softcover, ISBN 0-914357-35-2
