Through a working method she calls “approprio-arranging,” Berlin-based artist Kirstine Roepstorff collages together photocopies, fabrics, glitter, paper, and images appropriated from magazines and newspapers, constructing a poetic, post-feminist practice that addresses issues such as consumerism, the failure of the social democratic project, and contemporary gender politics. Accompanying the exhibition Kirstin Roepstorff: It’s Not the Eye of the Needle That Changed–The Time, the artist’s first solo museum exhibition in North America, this publication features a scholarly essay by Daniel Kunitz on political identity in Roepstorff’s work alongside a selection of the 12 works in the exhibition.